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(objectives)
The course is intended to offer an overview of film theories, in relation to specific periods and topics.
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|
Code
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20709119 |
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Language
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ITA |
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Type of certificate
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Profit certificate
|
| Module:
(objectives)
The course is intended to offer an overview of film theories, in relation to specific periods and topics.
|
|
Code
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20709119-2 |
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Language
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ITA |
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Type of certificate
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Profit certificate
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|
Credits
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6
|
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Scientific Disciplinary Sector Code
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L-ART/06
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Contact Hours
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36
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Type of Activity
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Core compulsory activities
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Teacher
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CAROCCI ENRICO
(syllabus)
The course is divided into two parts. Part 1: Classic Hollywood and film theories from 1960s to 2000s. Part 2: Theories of spectatorship: body, mind, emotion.
Filmography
Mildred Pierce (Michael Curtiz, 1945)
Dark Passage (Delmer Daves, 1947)
Singin’ in the Rain (Stanley Donen e Gene Kelly, 1952)
Written on the Wind (Douglas Sirk, 1956)
Pierrot le fou (Jean-Luc Godard, 1965)
The Pervert’s Guide to Cinema (Sophie Fiennes, 2006)
Stella Dallas (King Vidor, 1937)
Peeping Tom (Michael Powell, 1960)
La battaglia di Algeri (The Battle of Algiers, Gillo Pontecorvo, 1966)
The Elephant Man (David Lynch, 1980)
Crash (Paul Haggis, 2004)
(reference books)
Thomas Elsaesser, Malte Hagener, Teoria del film. Un’introduzione, Einaudi, Torino 2009 [orig. Filmtheorie. Zur Einführung, Junius Verlag GmbH, Hamburg 2007]
Veronica Pravadelli, La grande Hollywood. Stili di vita e di regia nel cinema classico americano, Marsilio, Venezia 2007
Enrico Carocci, Attraverso le immagini. Tre saggi sull’emozione cinematografica, Bulzoni, Roma 2012
Antologia di saggi a cura del docente (dispense disponibili presso la copisteria CLP, via Giulio Rocco 9)
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Dates of beginning and end of teaching activities
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From 01/03/2017 to 20/06/2017 |
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Attendance
|
not mandatory
|
|
|
| Module:
(objectives)
The course is intended to offer an overview of film theories, in relation to specific periods and topics.
|
|
Code
|
20709119-1 |
|
Language
|
ITA |
|
Type of certificate
|
Profit certificate
|
|
Credits
|
6
|
|
Scientific Disciplinary Sector Code
|
L-ART/06
|
|
Contact Hours
|
36
|
|
Type of Activity
|
Core compulsory activities
|
|
Teacher
|
CAROCCI ENRICO
(syllabus)
The course is divided into two parts. Part 1: Classic Hollywood and film theories from 1960s to 2000s. Part 2: Theories of spectatorship: body, mind, emotion.
Filmography
Mildred Pierce (Michael Curtiz, 1945)
Dark Passage (Delmer Daves, 1947)
Singin’ in the Rain (Stanley Donen e Gene Kelly, 1952)
Written on the Wind (Douglas Sirk, 1956)
Pierrot le fou (Jean-Luc Godard, 1965)
The Pervert’s Guide to Cinema (Sophie Fiennes, 2006)
Stella Dallas (King Vidor, 1937)
Peeping Tom (Michael Powell, 1960)
La battaglia di Algeri (The Battle of Algiers, Gillo Pontecorvo, 1966)
The Elephant Man (David Lynch, 1980)
Crash (Paul Haggis, 2004)
(reference books)
Thomas Elsaesser, Malte Hagener, Teoria del film. Un’introduzione, Einaudi, Torino 2009 [orig. 2007; tr. en. Film Theory: An Introduction Through the Senses, Routledge, New York 2009]
Veronica Pravadelli, La grande Hollywood. Stili di vita e di regia nel cinema classico americano, Marsilio, Venezia 2007 [tr. en. Classic Hollywood: Lifestyles and Film Styles of American Cinema, University of Illinois Press, Urbana-Chicago 2015]
Enrico Carocci, Attraverso le immagini. Tre saggi sull’emozione cinematografica, Bulzoni, Roma 2012
An anthology of essais, edited by the teacher (available at the copy center CLP, via Giulio Rocco 9)
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|
Dates of beginning and end of teaching activities
|
From 01/03/2017 to 20/06/2017 |
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Delivery mode
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Traditional
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|
Attendance
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not mandatory
|
|
Evaluation methods
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Written test
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|
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Università Roma Tre